The closet doorway was dark, darker than night, a rectangle of complete darkness—the heart of darkness. And out of this darkness, a man was emerging.
Altered Carbon shares a grim, dinginess similar to Blade Runner. The 1% now live hundreds of years in a rotating cast of tech-infused bodies.
There is no room for epic fantasy in this grimdark universe.
Conventional fantasy goes back to the mud. It’s tromped on. Ground down in the dirt. There are people to kill and scores to settle. Conventional fantasy tropes are among the dead.
The novel is dark, twisted, and delightfully subverts fantasy tropes.
What sets this series apart from other works of fantasy are the larger themes Jemisin explores.
How does he do that? Mainly, by writing a novel that is just backstory for Two Serpents Rise.
You’re not going to just read Nobody’s Fool; you’re going to become a resident in Nobody’s Fool by Richard Russo.
In terms of comparisons, Hannu Rajaniemi’s The Quantum Thief, most reminds me of Snow Crash by Neil Stephenson.
God and His sisters are dead. Now it’s time to invest in some idols. Don’t you hate when that happens?